{"id":10161,"date":"2022-09-28T14:51:19","date_gmt":"2022-09-28T22:51:19","guid":{"rendered":"https:\/\/www.entremundos.org\/revista\/?p=10161"},"modified":"2022-09-28T14:51:19","modified_gmt":"2022-09-28T22:51:19","slug":"they-create-change-through-art","status":"publish","type":"post","link":"https:\/\/www.entremundos.org\/revista\/world\/they-create-change-through-art\/?lang=en","title":{"rendered":"They Create Change Through Art"},"content":{"rendered":"

ENTREAMIGOS-LAGUN ARTEAN<\/p>\n

Art is a medium for expression, an expos\u00e9 of feeling and ideas, a channel for telling history.\u00a0 But it can also remake society.\u00a0 In the Basque country and in Guatemala there are groups of women who have found art to be closely connected with healing and promoting change — promoting social transformation.<\/p>\n

In a photo of the Mancomunidad Tzolojya<\/em>, (a coalition of various Mayan groups around Guatemala’s Lake Atitl\u00e1n area) one sees a woman with her gaze fixed and an expressive smile.\u00a0 She holds a piece of artwork which she places on her chest.\u00a0 It is a huipil<\/em> (the over-blouse traditionally worn by Mayan women) with multi-colored lines of purple and fucshia flowers.\u00a0 Along side her face is the message,<\/p>\n

\u00abUpon seeing my reflections in the mirror I will empower myself and realize how far I have come.\u00bb\u00a0 She is one of the women who through the project \u00abWeaving Lives Free of Violence Through Economic Empowerment of the Indigenous Women of Solol\u00e1\u00bb\u00a0 found weaving provides a healing benefit and erradication of the scars of violence.<\/p>\n

\"\"<\/a><\/p>\n

En Solol\u00e1, one of Guatemala’s provinces, during 2019 the Mancomunidad Tzolojya(Manctzolojya) <\/em>initiated a project through which knowledge of ancestral history, art and healing for women were fused together.<\/p>\n

\u00abThe relationship is intrinsic:\u00a0 if one exists, the other exists.\u00a0 The artistry of weaving and embroidery contribute to realizing ancestral knowledge and above all highlights art as historic expression by First Peoples.\u00a0 Needlework and backstrap weaving allow women to heal through occupational practices.\u00a0 Additionally, they analyze, grow, and more than anything, develop self-empowerment.\u00a0 It helps to create supportive networking, with analysis, with general support, and sisterhood to create strategic plans for making a better life,\u00bb explains Marta Julia Cuc Chiroy, general manager of Manctzolojya<\/em>.<\/p>\n

Textiles are open books possessing huge amounts of information.\u00a0 Through their clothing First Peoples evidence the social struggle in the region despite all the difficulty involved in preserving it.\u00a0 \u00abPreserving traditional dress represents knowledge and history which can not be erased\u00bb claims Marta Julia.<\/p>\n

With restoration and reclamation of ancestral\u00a0 practices like weaving and needlework, along with creativity and innovation, the women have created undertakings which allow for a better quality life and break the circle of violence.<\/p>\n

\"\"<\/a><\/p>\n

Manctzolojya<\/em> encourages organization and participation of the people in order to promote sound and sustainable development in this unified region.\u00a0 Their contributions come out of economic, sociocultural, political, environmental, gendered and inter-generational points of view.\u00a0 The coalition includes the municipalities of Santa Luc\u00eda Utatl\u00e1n, Nahual\u00e1, Solol\u00e1 and San Jos\u00e9 Chacay\u00e1.<\/p>\n

\u00abThe work indigenous women in the Mancomunidad<\/em> region do is a satisfying experience.\u00a0 It’s gratifying to see women with so many skills and so much training.\u00a0 When they come together to learn, the weaving classroom turns into a healing space of recreation, filled with happiness and many colors.\u00a0 We’re grateful for the assistance from Getxo, Leioa (Basque country) and Entreamigos-Lagun Artean<\/em> for having confidence in our work.\u00a0 Art can change lives,\u00bb Marta Julia adds.<\/p>\n

In just three months female students from Group One from the Weaving School of Santa Luc\u00eda Utatl\u00e1n learned to make the faja,<\/em> a simple sash\/belt (worn by those who dress traditionally), a napkin and a huipil <\/em>\u00a0specific to their municipality.\u00a0 During the process they received training to learn about important themes relating to violence against women and steps toward healing.\u00a0 While they were weaving and embroidering they were also learning about their rights.<\/p>\n

\u00abIt is a difficult and exhausting process, but gives much satisfaction knowing that all this work comes as a result of owning our own weaving and having the power to do it,\u00bb says Cindy Garc\u00eda, one of the participants.<\/p>\n

Stories Also Change<\/strong><\/p>\n

There’s a push for innovative communications in which art is the main force of action. Entre<\/em>amigos-Lagun Artean<\/em> or EA-LA, proponent of the project Education for Social Transformation in Euska Herria (home of the Basque people) is the group behind this effort.\u00a0 Among these activities we are highlighting the Jornadas EmpoderArte <\/em>or Conferences for Empowerment Through Art.\u00a0 Guatemalan and Basque women from differing artistic disciplines have come together at these gatherings to talk about their life experiences and what it means to be a woman artist.\u00a0 Along with this effort EA-LA also encourages recovery of Guatemalan legend which has added a new focus, a feminine focus for Cristina Chiqu\u00edn, Sara Curruchich, Isabel Hern\u00e1ndez, and Rebeca Lane, four Guatemalan women.<\/p>\n

The four are experts in the oral traditions of their country and Mayan spirituality.\u00a0 This expertise is passed on to Guatemala via women’s voices — through their voices and diverse artistic expressions.\u00a0 Narrations of these legends are adapted for adults, \u00a0showing actual real life circumstances.\u00a0 The narratives reflect situations and life experiences which often are surprisingly similar to real life.\u00a0 They show the inequality and current social injustices where the protagonists are principal players and able to make change.\u00a0 In this way Entreamigos-Lagun Artean<\/em> promotes recognition in Guatemala of these stories and that these women transform them by incorporating a feminist perspective through struggle and reclamation of their heritage.\u00a0 With each story or history, reality is seen through a feminine lens.\u00a0 There’s a break from traditional roles imposed on women and men.\u00a0 The initiative shows that history can come full circle and can be told by women’s voices.<\/p>\n

\"\"<\/a><\/p>\n

These stories, legends and histories have the objective of raising awareness and sensitivity among the Basque people about specific and relevant themes around culture and identity, environmentalism and equitable relations between men and women, presenting initiatives which try to improve the situation of peoples of the southern hemisphere.<\/p>\n

\u00abObligated to marry an older man who believes women should be controlled and that their bodies are a sex toy, but she flees because she knows that her body belongs to her alone,\u00bb so sings Sara in the new version of La Siguanaba<\/em>.\u00a0<\/strong><\/p>\n

Artists Who Create Change<\/strong><\/p>\n

La Basu<\/em>, a rapper from Euskal Herria, is one of the five artists most representative of Hip Hop.\u00a0 During EmpoderArte conferences she remembers 25 years ago when room for her to perform was unlikely since the majority of performers in the world of art were men. \u00abWe needed people to know that there are women rappers, women graffiti artists, DJs, in everything Hip Hop there are women,\u00bb says La Basu.<\/em><\/p>\n

It’s the reason Esquina Feminina<\/em> emerged.\u00a0 It is a women’s channel where they rap.\u00a0 \u00abWhen they were coming and were saying to you:\u00a0 There are no women rappers, we say, ‘Excuse me–here’s the channel’.\u00a0 We began our radio program with the sounds of women rappers exclusively.\u00a0 We held workshops for women and for both women and men.\u00a0 I was very interested in insuring that men saw what women were doing with HipHop.\u00a0\u00a0 In the men’s world, I sometimes felt quite misunderstood,\u00bb declares La Basu, who also organizes a festival where only women sing.<\/p>\n

Eli Pagola participated during another conference filled with lively laughing and singing.\u00a0 She is an important artist to be recognized for her courage in valuing popular culture as a way of demanding \u00a0justice.<\/p>\n

\"\"<\/a><\/p>\n

Forty years ago verse-improvising women began improv in public spaces.\u00a0 Earlier verse improvisers were men who performed improv in the Basque language for men in spaces closed to women.\u00a0 Women improvisers distinguished themselves for their talent in traditional spaces for men.\u00a0 One of these women is Eli who stands out for her criticism of the current system through the use of rhyme.\u00a0 She began at the age of eight and now is highly recognized and has been awarded prizes.<\/p>\n

\u00abIt’s important to me, and emotional for me, that people be able to invest their time so that this cultural act can be carried to fruition.\u00a0 The great number of people who voluntarily make a practice of hanging around improv, which is not a scene where one gets rich, the involvement of all these folks is huge.\u00a0\u00a0 It is impressive how there can be people who are listening intently for two hours to the sung discussion, performed a cappella, no musical accompaniment by four or five people, it’s emotional.\u00a0 Each time there are more of us performing publicly, so each time there are more alliances, even though there are many, many young women who distanced themselves from the places were they can perform.\u00a0 Alliance is important.\u00a0 It’s supportive even though we are not always in agreement in every situation,\u00bb\u00a0 assures Eli.<\/p>\n

Just as music, photography, and video-recording can promote collectives among women, so too can acting as complainants, as healers, as changemakers, as human rights advocates.\u00a0 To see more presentations by EmpoderArte<\/em> and to listen to stories you can visit their YouTube channel, the Entreamigos-Lagun Artean<\/em> channel.<\/p>\n

\u00a0<\/em><\/p>\n

 <\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/em><\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

ENTREAMIGOS-LAGUN ARTEAN Art is a medium for expression, an expos\u00e9 of feeling and ideas, a channel for telling history.\u00a0 But it can also remake society.\u00a0 In the Basque country and in Guatemala there are groups of women who have found art to be closely connected with healing and promoting change — promoting social transformation. In […]<\/p>\n","protected":false},"author":1,"featured_media":10151,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[453,422,414],"tags":[560],"class_list":["post-10161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-frontpage-en","category-women","category-world","tag-guatemala-en"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.entremundos.org\/revista\/wp-content\/uploads\/2022\/09\/289554564_2465078320296822_1395201063242162801_n.jpg?fit=2048%2C1459&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p7ljt7-2DT","jetpack-related-posts":[{"id":6322,"url":"https:\/\/www.entremundos.org\/revista\/culture\/what-future-awaits-the-mother-tongues-in-guatemala\/?lang=en","url_meta":{"origin":10161,"position":0},"title":"What future awaits the mother tongues in Guatemala?","author":"EntreMundos","date":"21 febrero, 2020","format":false,"excerpt":"International Day of Mother Tongues was established by the UNESCO General Conference in November 1999, nevertheless, it was not until 2002 that it was officially celebrated with the objective of promoting multilingualism and cultural diversity. 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