{"id":6183,"date":"2020-01-18T10:08:42","date_gmt":"2020-01-18T18:08:42","guid":{"rendered":"http:\/\/www.entremundos.org\/revista\/?p=6183&#038;lang=en"},"modified":"2020-02-14T11:55:06","modified_gmt":"2020-02-14T19:55:06","slug":"short-live-action-film-on-orphanage-tragedy-has-been-nominated-for-an-oscar","status":"publish","type":"post","link":"https:\/\/www.entremundos.org\/revista\/women\/short-live-action-film-on-orphanage-tragedy-has-been-nominated-for-an-oscar\/","title":{"rendered":"Short Film on Orphanage Tragedy nominated for an Oscar"},"content":{"rendered":"<p><em>SARIA, <\/em>a short film directed by Bryan Buckley from the US, was inspired by the tragedy that occurred in the Guatemalan orphanage Virgen de La Asunci\u00f3n.\u00a0 It has been nominated for an Oscar in the shorts (live action) category.\u00a0 The IMDb film critics&#8217; site describes <em>Saria<\/em> as an exploration of the unimaginable difficulties facing the young orphan girls in the orphanage El Hogar Seguro Virgen de la Asunci\u00f3n in Guatemala where the tragic 2017 fire took 41 lives.<\/p>\n<p>The short focuses on the story of two orphaned sisters who are inseparable.\u00a0 Saria, 12, and Ximena, 14 struggle against the increasing daily physical abuse in the institution which was designed to protect them.\u00a0 In a desperate attempt to survive, the sisters come up with a daring plan of escape so that all the orphans can find their freedom in the United States.\u00a0 It was made in an orphanage in Mexico with the goal of exposing the problems of children and young adults from Central America and how many see themselves as having to migrate in order to achieve a better life.<\/p>\n<p>Bryan Buckley has worked on other productions and was also nominated for an Oscar in the Best Short (Live Action) category (85th Academy Awards) for his work <em>ASAD<\/em>, filmed in South Africa.\u00a0 Made with actors who were refugees from Somalia, it tells the story of a young Somali who must make the choice between pirateering or becoming an honest fisherman.\u00a0 O<i>ther<\/i>\u00a0Buckley productions include <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Pirates_of_Somalia_(film)\"><em>The Pirates of Somalia <\/em><\/a>(2017), <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Bronze_(film)\"><em>The Bronze <\/em><\/a>(2015), 2004) <em>T<a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Wake-Up_Caller\">he Wake-Up Caller\u00a0<\/a><\/em>(2004) <a href=\"https:\/\/en.wikipedia.org\/wiki\/Krug_(film)\">and <em>Krug <\/em><\/a>(2004).<\/p>\n<p>We hope <em>Saria <\/em>can win this recognition and continue honoring the story of these girls, victims of a tragedy which should never occur again.<\/p>\n<p><iframe loading=\"lazy\" title=\"SARIA Trailer | TIFF 2020\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qoTX36M3EME?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SARIA, a short film directed by Bryan Buckley from the US, was inspired by the tragedy that occurred in the Guatemalan orphanage Virgen de La Asunci\u00f3n.\u00a0 It has been nominated for an Oscar in the shorts (live action) category.\u00a0 The IMDb film critics&#8217; site describes Saria as an exploration of the unimaginable difficulties facing the [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":6049,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[445,455,422,438],"tags":[1152,1882,1881,1883],"class_list":["post-6183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-pagetwo-en","category-women","category-youth","tag-cine","tag-cortometraje","tag-hogar-seguro-virgen-de-la-asuncion-en-guatemala","tag-jovenes-huerfanas"],"_links":{"self":[{"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/posts\/6183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/comments?post=6183"}],"version-history":[{"count":6,"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/posts\/6183\/revisions"}],"predecessor-version":[{"id":6191,"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/posts\/6183\/revisions\/6191"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/media\/6049"}],"wp:attachment":[{"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/media?parent=6183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/categories?post=6183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.entremundos.org\/revista\/wp-json\/wp\/v2\/tags?post=6183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}